Writer / Director: Brett Morgen
With: Kurt Cobain, Courtney Love
IMDb Logline: The authorized documentary on late Guitar/lead singer Kurt Cobain from his early days in Aberdeen Washington to his success and downfall with Grunge band Nirvana.
- Personal videos from Kurt’s childhood and marriage to Courtney Love
- Animation to dramatize certain episodes of his life
- Use of his personal notes to show Kurt’s creative process
- Choice to play Nirvana music on children’s musical instruments while showing early family videos
- Present day Courtney Love interviews
- Lack of present day Dave Grohl interviews
- Follow-up with the girlfriend who supported him before he was famous on how she reacted to his success, and if he ever said thank you.
- His suicide is told as a title card at the end of the documentary with no commentary from Love or his family
Review: Kurt Cobain: Montage of Heck does an excellent job showcasing Kurt Cobain’s talent and creativity, but ultimately misses out on getting key information from important people in his life. Simple questions such as if he seeked mental help once he was able to afford it after his success; how soon after Frances was born did he get back on heroin; did Courtney think he would ever go through with killing himself are not asked nor shown.
Rating = C
Director: Daniel Judge
Writers: Davis Coombe and Daniel Judge
With: Evel Knievel, Johnny Knoxville, George Hamilton
IMDb Logline: The real story behind the myth of American icon Robert ‘Evel’ Knievel and his legacy.
- Definite must for Evel Knievel fans
- Never before seen footage from the Snake River Canyon Jump
- ABC Wide World of Sports sportscaster interviews
- 70s setting, 70s characters, 70s fashions, and only in the 70s stories
- Evel Knievel stunt cycle toy
- Not enough information from the wilderness years after Evel’s fall from grace and before his redemption
Review: Though not groundbreaking in terms of documentary style, Being Evel more than delivers on letting you know who Robert “Evel” Knievel was and his importance on American culture. You don’t have to be a fan of the man or the times to appreciate the story being told. What you walk away with is an appreciation for a driven and ultimately flawed man, who initially created and then became a prisoner of a persona that he could–in the end–not live up to.
Rating = A-
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Writer / Director: Jim Jarmusch
Stars: Tilda Swinton & Tom Hiddleston
IMDb LogLine: A depressed musician reunites with his lover, though their romance – which has already endured several centuries – is disrupted by the arrival of uncontrollable younger sister.
- Tilda Swinton & Tom Hiddleston as vampires
- Set design and use of Detroit
- Sticks with basic vampire mythology
- Glacial pacing
- Uninteresting dialogue
- Superfluous sister, Ava (Mia Wasikowaska), and Marlowe (John Hurt) characters
Review: By the end of Only Lovers Left Alive, you ask yourself what the point of it was. The premise is good, but the execution fails. How does a vampire exist in a time when humans pollute their own bodies and you cannot easily dispose of bodies without an investigation? How does an artistic, gifted, and undying vampire get his voice heard? And what happens when he no longer cares? For such heady questions and two such long-lived and intellectual characters, Eve (Tilda Swinton) and Adam’s (Tom Hiddleston’s) dialogue is amazingly vapid. Though the film looks good, it does not stay with you.
Grade = C
Bonus: If The Sandman project is an actual thing and not a pipe-dream, then the filmmakers should use Tom Hiddleston as Morpheus. His performance of Adam is basically channeling the Dream of the Endless character.
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Writers / Directors: John Maloof and Charlie Siskel
With: Vivian Maier
IMDb Logline: A documentary on the late Vivian Maier, a nanny whose previously unknown cache of 100,000 photographs earned her a posthumous reputation as one the most accomplished street photographers.
- John Maloof”s compulsive need to find Vivian Maier and his detective process is infectious.
- Beautiful photography
- The interesting character that is Vivian Maier
- Would have liked to know the following: How she died? Did she continue making photos in her old age? How did the three boxes of negatives that started the search for Vivian Maier end up for auction, and how did the auction house know she was the photographer? Why did the brothers she nanny’d take care of her at the end of her life?
Review: The two great characters in Finding Vivian Maier are Vivian and filmmaker John Maloof who took us on this obsessive compulsive journey. The two are in many ways soul mates. Maloof”s journey through Vivian’s things, interviews with former clients & charges, and even her voice in recordings brings to life a great unknown talent, and an equally great private detective.
Grade = A-
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Writer / Director: Eric Schaeffer
Stars: Michael Welch and Michelle Hendley
IMDb Logline: Boy Meets Girl is a funny, tender, sex positive romantic comedy that explores what it means to be a real man or woman, and how important it is to live a courageous life not letting fear stand in the way of going after your dreams.
- Southern town setting with, for the most part, accepting residents
- Actual transgender actress (Michelle Hendley)
- Uplifting story
- Michelle Hendley’s inexperience acting is noticable on occasion
- The ending wraps everything in a nice bow
Review: It’s not often you get a transgender feature film, let alone a well made one. Boy Meets Girl is a very familiar story told in a modern way, with genuine performances and people you grow to care about. Eric Schaeffer does a good job fleshing out all the characters and making them all humane.
Grade = B
Director: Kate Logan
Writers: Kate Logan and Yada Zamora
With: David, Ty, and Kate Logan
IMDb Summary: A young evangelical filmmaker is granted unprecedented access inside a controversial Christian behavior modification program for teens, where she discovers shocking secrets and young students that change her life.
- Incredible access inside the camp
- Numerous story arcs developing at the same time
- Fully developed story with no loose ends
- Minimal; inexperience of the director sometimes shows
Review: A multilayered documentary where friendly relationships turn antagonistic, friends become enemies, people become damaged and need to be heeled; and a documentary that clearly shows how much hurt someone can cause when they truly believe they are doing good.
Grade = A
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Director: Yariv Mozer
Writers: Yossi Avni Levy, Yariv Mozer
Stars: Yoav Reuvini, Moran Rosenblatt, and Yariv Mozer
IMDb Logline: Tel Aviv, Summer 1989. Boaz, a beautiful and alluring linguistics student, receives anonymous, male written love letters,that undermines his sexual identity and interfere his peaceful life with his beloved girlfriend.
- Honestly shows the emotional damage trying to live your life as others want you to be instead of living our life as you want it to be
- The interplay of the relationship between Boaz (Yoav Reuvini) and his fiancé Noa (Moran Rosenblatt)
- Yoav Reuvini
- Unfortunate title
- Boaz’s paranoia about his unknown admirer smirks out of control a little too soon.
Review: A deliberately paced character study about one man trying to discover who he really is, and whether he will sacrifice his own nature to be the man everyone expects him to be. The emotional damage a closeted life is laid bare in one particularly brutal scene between Boaz and Noa, made more intense by Noa’s later reaction and strength of character. But by journey’s end, no one is left undamaged.
Grade = A-
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